Imagine I Saw the Devil with the fun stripped out, or The Horseman without actual choice, characters, or consequences. That
is what John Day is.
John Day does a few things right. It stars the venerable
Naseeruddin Shah in his best performance since Sona Spa. It is a straight up revenge thriller without any songs to
interrupt the flow. It’s shot in some locations that have seldom, if not never
been used in Bollywood thrillers. Some of the dialogues are good. We've now
reached the end of the rosy section of this review.
The best thrillers are the ones
with an imaginative protagonist, story or climax. There is absolutely nothing
about the characters, story, or climax of John
Day that is new, exciting or fun. Every single element of the film is
borrowed from the Spanish film La Caja
507. In any case the story doesn't matter, and first time director Solomon mixes
the Spanish film and Bollywood chestnuts for something that feels both bland
and routine.
The protagonist (Shah) is out for
revenge, hunting down the people who killed his daughter. He is so overcome
with vengeance he procures a gun and goes from realizing everyone he loves is
dead to shooting bad guys in about 30 seconds. That plot would have been fun
had it not been for the fact that John
Day is content with getting in its own way as much as possible. The film
might work as a slice of bold cinema that goes against the commercial Bollywood
route, but as a standalone movie it is maddeningly dull and bad. None of John Day’s ideas are fully explored, so
the film feels like a series of check lists in a world that is hard to care
about, in which a dull character is doing dull things against dull stock
enemies using dull guns and dull investigative methods.
To lift the film from the
constant dullness Solomon inputs loud blaring Gospel based music at every
dramatic turn, with hilariously bad heavy handed Christian imagery. Someone is
shot, and the chanting music kicks in; like RGV’s Govinda Govinda the chants
here are JEEEESUS HOO HAA HOO HAAA. It's absurd and pointless. Why can't this
film be subtle? What think tank members sat down and said that the only way to convey
the Christian themes to the viewer is by beating up the protagonist in front of
a Church and having him bleed on the cross? Why should a film that goes against
Bollywood tropes embrace the very same tropes every now and then? You walk into
this movie expecting something different and you’re treated with clunky formula
that takes you out of the story.
The investigation that the
protagonist does isn’t too exciting either – Shah simply ambles from point A to
point B before the film tells you that he’s accomplished his mission. The only
thing that adds tension to the film is the dynamics of Shah’s and Hooda’s
characters hunting down each other. And even that isn’t explored much and it feels
more like filler to justify the bloody violence. John Day also doesn't have a good way to make us empathize with the
characters of Shah and even the corrupt cop of Hooda. There is no personality
in them - they’re just cardboard cutouts with hackneyed problems of alcoholic
spouses and the guilt of estrangement, both of which are clumsily established
and severely underdeveloped. There’s a gamut of recognizable faces in the
supporting cast including Vipin Sharma, Anant Mahadevan, Shernaz Patel,
Makarand Deshpande yet none of them are memorable as such.
Moreover, the villains are so
poorly sketched out its amusing. Sharat Saxena, in a laryngitis voice seems to
be great big baddie, but a baddie with great integrity, and no one really
explains why. But that's fine, you’re supposed to be content to just let
Naseeruddin Shah slaughter baddies as he follows the clues. What really
destroys the film is that even in the final hour it never feels like anything
is at stake. The climactic scene falls completely limp because the story never
makes you care about anything that's going on. The film never presented me a
hook to continue watching and ultimately I could finish watching John Day because I am a huge film buff,
and the process was a struggle. Most film viewers will be fine skipping it
altogether.
(First published in Firstpost)
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