Jack Reacher is based on Lee
Child’s 80’s-esque One Shot featuring
an 80’s style antihero up against 80’s style master criminals, and the results
are exactly what you expect – an 80’s style potboiler, but one that manages to
keep you fairly entertained. It’s more or less a great Salman Khan movie, with
Tom Cruise in the lead role instead of Salman Khan.
In the novel Reacher is supposed
to be a towering 6 foot 5 inch blue eyed blond haired, slow moving 50 inch
chested hulk, but here Tom Cruise steps in about a whole foot shorter, brunette,
puny and agile. The strange casting choices would mar the experience for fans
of the novels, but don’t make a lick of a difference to those unfamiliar with
the Reacher books. Because the film offers every bit of the archaic thrills
that it promises, trying to make us forget that every single of its plot points
has been done before in 80’s and 90’s cinema.
There is literally nothing new
that Jack Reacher offers in plot,
mystery or character and at times it seems absolutely outdated in 2012. Writer-director
Christopher McQuarrie (who penned The
Usual Suspects) crafts a Perry Mason style mystery with the filmmaking technology
from Bourne. We’re introduced to Mr
Reacher (Cruise), an ex-military legend who is sucked into investigating a
strange case where a sniper had taken down seemingly random people in broad
daylight in a public place. But of course, nothing is random, as Reacher
deduces, and the fat gets in the fire soon enough for Reacher to smell a big
conspiracy and smack goons in the face. There is Richard Jenkins as a miscast suspicious
DA and Rosamund Pike as his daughter who bags the prizes for the worst American
accent and the most spectacularly odd character to grace screens this year. To
go into the motives of the characters is not recommended because that would
mean looking for logic and a semblance of common sense in the film. All you can
do is sit back, sip your drink and soak in the slickly presented familiarity on
screen.
However Jack Reacher makes up for its flaws with some tremendous
cinematography, a superbly choreographed hand to hand combat sequence between
Cruise and a baddie, and the incredible Werner Herzog as the villain. With one
good eye and fingers bitten off, Herzog is frightening as hell, and it hurts to
see his character given such little screen time and an ultimately lame
resolution – he truly deserves to be cast in a Quentin Tarantino movie as the chief
bad guy.
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