Rise of the Guardians is a visually spectacular Avengers-style movie for kids – really
small kids. It’s got half a dozen superheroes, non-stop colorful computer
animated wizardry to keep children entertained, but nearly nothing new or
fascinating enough for adults or older children to enjoy.
Produced by Guillermo Del Toro
and directed by first timer Peter Ramsey who has worked as a storyboard artist
in Minority Report, Cast Away and Men in Black, Rise of the Guardians attempts
to create a colossal story of team of superheroes fighting to annihilate a
baddie. The problem here is, Ramsey crams in too many themes, too many heroes
and too many subplots instead of bringing us one epic and coherent story. You
get abandonment issues, acceptance issues, family values and all kinds of adult
themes that are neither well explored nor fit in the audience demographic. Every
one of those poorly fleshed out themes plays out like a checklist tick mark by
the filmmakers. Adults would be unimpressed with the half-baked execution, and
children are bound to be bored with all the serious stuff and even mildly
scared at some of the things the villain does in the film.
Here we have the villainous Pitch
Black (Jude Law) who is furious with children being happy and believing in
their favourite superheroes instead of fearing him. Pitch comes up with a plan
to spread darkness around the world and have his reign over humans. The only
people to stop him are a team of oddballs - Jack Frost (Chris Pine), Santa
Claus (Alec Baldwin), the tooth fairy (Isla Fisher), the Easter Bunny (Hugh
Jackman) and the Sandman. What follows are scene after scene of some seriously
high quality animation, remarkable special effects and a couple of fun action
sequences. The troublesome ‘adult themes’ keep popping in and out to stem the
flow of mayhem and one wishes the filmmakers had focused on making a laugh out
loud comedy instead of a semi-serious adventure. All the laughs in the film are
courtesy of the excellent Hugh Jackman as the Aussie-accented Easter Bunny, yet
he is criminally relegated to the background for most of the runtime.
The goodies include gorgeously
rendered demon horses conjured by Pitch, intricately designed icy frost forming
around window panes, and Jack Frost’s long and superbly choreographed uncut
shots of flying from rooftop to rooftop. Like last year’s Arthur Christmas, Rise of the Guardians will probably be remembered
as an underrated animated thrill ride - it’s certainly not for adults, but an
absolutely dazzling ride for kids, best enjoyed in bright 2D.
(First published in MiD Day)
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