The majority of Hollywood
products exude style over substance, but sometimes there is so much style that
it just works in the film’s favor. Gangster
Squad is one such instance. Directed by Ruben Fleischer who
made the hilarious Zombieland, Gangster
Squad is a mishmash of The
Untouchables, Goodfellas and Hoodlum and
seems like a creamy resultant puree after tossing the three films into a mixie.
It’s got an incredible lead cast of Senn Penn, Josh Brolin, Ryan Gosling, Emma
Stone, some outstanding production
design that evokes the Noir-soaked 1940’s Los Angeles, glorious shootouts, eye
popping cinematography, cops vs gangsters – the works. With all of that thrown in, theoretically the
film should be a classic – it fails to be one but still succeeds in being an entertaining
albeit forgettable action movie.
The
plot makes you want to search for Brian De Palma’s name in the credits – post World
War 2 the ex-boxer drug and casino racketeering kingpin Mickey Cohen (Penn) has
set his sights on expanding his empire and running the entire East coast
himself. The police are in Cohen’s pockets and there is little that the law can
do to stop him. Enter Good Cop Josh Brolin as Sgt John
O'Mara who is assigned by his chief (Nick Nolte) to put together a secret
police squad to eliminate Cohen and his viral mafia operation. O’Mara assembles
an Ocean’s 11 style team of a Dirty
Harry-esque Robert Patrick, a technology expert (Giovanni Ribisi), a pretty boy
(Ryan Gosling), a classy detective (Anthony Mackie) and a rookie (Michael Pena).
Bugging Cohen’s house and learning of his operations becomes easy, but
unfortunately so does one of the squad members falling in love with Cohen’s
girlfriend (Stone).
Fleischer effortlessly nails the pacing and the
satirical bits but at some parts Gangster
Squad is amusingly corny – our heroes escape a spray of bullets over and
over again like 80’s Bollywood stars. Our heroes also have wives and
girlfriends unintentionally reminiscent of Karishma Kapoor and Raveena Tandon
in Andaz Apna Apna. Gosling and Stone
share an incredible amount of chemistry but the flirtatious encounter between
them makes you expect them to suddenly apparate in front of two dozen dancers
and break out into a Jeetendra song. It’s all pulpy as hell, and even downright
sloppy at times when O’Mara belts out paeans on law and justice, thankfully most
of the mess is offset by its superb editing and fun characters. Fleischer
frustratingly doesn’t devote much time to the camaraderie between the Squad
members despite making a badass villain out of Penn. What we ultimately get is
fun enough junk.
(First published in MiD Day)
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