Since Disney bought Pixar, two
things have happened – the Disney films have become better and better while the
Pixar films have become significantly worse. Whether you take that as a
blessing in disguise for Disney or as a tragedy for Pixar is up to you, but
with Frozen one thing is for sure –
Disney is back in a big way.
Without a doubt, Frozen is Disney’s most visually
spectacular and enjoyable film since 1994’s The
Lion King. It’s obviously not as good as the latter, but it is way more
entertaining than 2010’s fun Tangled.
The film finally achieves what Disney had been trying in the last two decades –
it finds the right balance between the nostalgia of the old Disney films and
characters and forging some new ground into narrative and style. Plus as a bonus
you get to see an amazing Mickey Mouse 3D short film before the movie begins.
Like most Disney films the plot
contains a kingdom, a princess, a mysterious handsome prince, an everyman of a
hero, ‘true love’, a supernatural curse, half a dozen songs, quirky perpetually
smiling good natured side characters, not so subtle life lessons and lots of
ice. Every element of Frozen has been
done before but directors Chris Buck and Jennifer Lee find that sweet spot
between a throwback and the contemporary, thanks to some great characters, dialogue
and truly outstanding visuals, demonstrating that good writing and not just CGA
makes for a good animation film.
What makes Frozen so refreshingly different from the rest of the Disney cannon
is that the filmmakers challenge the viewers’ expectations and as a result
there is no central antagonist in the film. There are no evil Wazirs or shady
sorcerers or witches to make the hero fight against, instead Frozen plays out like a fun character
based comedy-drama with a tinge of adventure thrown in. And surprisingly it
works this time, despite the fact that a similar tactic used by Pixar in Brave failed. More importantly, for the
first time in years, a Disney movie managed to pass the Bechdel test.
The lack of a villain is
counterbalanced by a terrific voice cast including Kristin Bell, Idina Menzel,
Jonathan Groff and Alan Tudyk – because they aren’t big stars it enables you to
invest in their characters rather than constantly and jarringly be reminded
that a recognizable big movie star is voicing some computer puppet. The
filmmakers also subvert the old good-vs-evil storytelling gambit with a grown
up, astute sensibility and yet is still fun enough to keep the kids entertained. There’s plenty of jaw dropping large scale animation, which is
not terrible in 3D but will most definitely be better in 2D. This has been a pretty
very weak year for CG animation movies and Disney shows them all who the boss
is. Watch it on the most gigantic screen that you can find.
(First published in MiD Day)
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