Despite the presence of Kenneth
Brannagh behind the camera I thought the first Thor was an okay film, and a mostly unmemorable one. At this point
I can’t recall a single scene from that movie. Things changed post The Avengers and Thor 2 is a significantly better, more entertaining and definitely
a more memorable movie.
Directed by TV veteran Alan
Taylor, Thor: The Dark World corrects most of the mistakes of its predecessor, and
adds on a large dose of humor – something that was severely missing in all of
the pre-Avengers movies (barring Iron Man). Surprisingly, this is not as
much a Thor movie as much as it is a Loki movie. Let’s face it, Thor was
entertaining only when he was made fun of by Tony Stark in The Avengers, and Marvel have realized that Tom Hiddleston’s Loki
is a cooler, more fun character than the drab muscular Chris Hemsworth. In fact
we get to meet Loki in the film before Thor makes his entry.
The story is sadly a
mishmash of Captain America, the
first Thor and The Avengers – angry villainous dude in outer space needs to find
some strange otherworldly object that would give him the power to destroy Earth
and take over the universe. This is lazy writing no doubt, but the film has a
couple of neat action set pieces including a fight through wormholes,
apparating from one world to the other. The action itself is way more expansive
than the first movie, and it’s not overblown or exhausting like in the recent
Superman feature. One other thing where Thor
2 improves vastly on is the artwork – all of the CGI and practical sets
have this awesome blend of ancient Viking designs and futuristic sci fi overtones.
Whether it’s a laser equipped ship crashing into the medieval Romanesque Asgard
or a CGI beastie running around London or a human turning into a scary,
unstoppable monster, the artwork of the special effects has got you covered, if you watch it in 2D.
Thor 2 also has the same problems that Iron Man 3 did – it’s a mess, and it shows. The narrative is all over
the place, catering to the dumbest possible audience. From jarring editing to
tonal shifts, there is no semblance of flow or continuity to be found in Thor 2. The heroine, once again, exists
only as a damsel in distress, and is once again played by a laughably bad Natalie
Portman. Also there is absolutely zero sense of wonder or discovery along the
way because we’re given the whole mystery in the first five minutes. It’s
annoying, and the dumbing down was clearly Marvel interfering with the director’s
vision and process. It might be a ‘winning formula’ but it’s unfair to Taylor
that Marvel didn’t take a risk and refused him a chance to make a smarter, more
cohesive movie.
To make up for its gaffes Thor 2 has not one, but two post credits
scenes, one of which is guaranteed to blow your mind because it offers a glimpse
into the unbelievably massive scope of Marvel’s next film. I won’t spoil the
name, but I can assure you that this film crosses two different universes, and is
so ginormous it makes the Batman-Superman movie look puny in comparison. Guess
away.
(First published in MiD Day)
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