A
good movie about humans being exploited needs to be moving, bold and
emotionally resonating. Nagesh Kukunoor’s Lakshmi
is none of the above, it’s actually an exploitative film about
exploitation.
The
film chronicles the real life story of Lakshmi (played by Monali Thakur), a
14-year-old girl kidnapped from her village in Andhra, forced into the
nightmare of prostitution and eventually testifying in court against her
traffickers. Sex trafficking is a major issue in the country and you’d think
Kukunoor would take Lakshmi’s story and turn it into a sensitive and affecting
motion picture.
Lakshmi, unfortunately, has nothing to
say except beat us over the head with the plight of sex workers and bawl ‘look
at these poor creatures’. That is not good filmmaking. As per the film, Lakshmi
was a hero to lakhs of distraught women across the country. She deserved a well-made
film, not manipulative, awfully directed, woefully shot, soulless tripe. It’s
not even a movie as much as it is a horrible exercise in melodrama that is so
clichéd in its depiction of the ignominy of its protagonist that it resembles a
Madhur Bhandarkar script flowchart. The
only difference, of course, is that one can find some masala in Bhandarkar’s
films, but Lakshmi has the audacity
to pose as a serious movie. This is problematic because the entire film is either
deadly dull or unintentionally funny.
To
establish the hellish existence of Lakshmi, Kukunoor shows you shots of fat
grimy men grinning at her and slowly taking off their clothes over and over
again. He shows you shots of a bottle of vaginal cream being emptied over and
over again. He shows you Lakshmi being brutally injured over and over again. He
shows you Lakshmi washing herself over and over again. Unless your target
audience is truck drivers at educational camps, this is manipulative and
downright awful filmmaking.
The
film is also gross for no apparent reason other than Kukunoor wanting to make
us gag in our seats. There are shots of Satish Kaushik slowly stripping and
showcasing his impressive bare physique. It’s rubbish not just because the film
contains these shots, but also because the way these shots were filmed. Every
harrowing dramatic moment and rape of Lakshmi is absolutely tacky. They are presented in such a grossly amateurish
way we’re more put off by the depiction of the brutal incidents rather than the
incidents themselves. There’s also a beastly scene in the climax straight out
of a Hostel movie that does nothing
but add to the cheap shock value. It’s immoral to present a movie as a story of
inspirational redemption by throwing in exploitative scenes.
Making
matters worse is the hideous fake Hyderabadi throughout the film. None of the
actors are from Hyderabad and their dialect makes Mehmood’s over the top
Hyderabadi lingo seem like Ghulam Ali’s ghazals. All the actors, including the
lead Monali Thakur and Shafali Shetty speak in Bombay Hindi and occasionally
throw in words like ‘Saary’ and ‘Chaacolate’ to sound Hyderabadi. The authentic
Hyderabadi Kukunoor himself undoes his authenticity by wearing garish costumes
just to look like a pimp. All this makes me wonder what happened to Kukunoor
over the years. This was the same guy who made the wonderful Hyderabad Blues,
Iqbal, Dor and 3 Deewarein. The only impression Lakshmi gives is that Kukunoor never recovered from the gigantic
failure of 8x10 Tasveer.
(First published in Firstpost)
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