Over
the past few years director Luc Besson has proved only one thing – that he
literally does not give a tinker’s cuss about anyone who watches his films. That
particular observation could be made by anyone who first watched La Femme
Nikita, then became his admirer after seeing Leon and The Fifth Element, and
then proceeded to see the films he has made over the past ten years.
Besson,
much like Resident Evil’s Paul Anderson realized that there is an audience out
there who somehow appreciates easy drivel that doesn’t need much effort to
make. He’s been churning out one half-baked product after another ever since.
He even produced a series of half assed films under his banner. Lucy, the
latest from the filmmaker is exactly what you expect it to be – a lame
superheroine movie.
The
thing with Lucy is, it tries very hard to be as stupid as possible. And it does
so by showing stuff to us that is supposed to be smart. Case in point, the ham
handed attempts at pointing out the parallels between humans and animals. It
goes all Tree of Life on us by showing us the Neanderthal Man. And when our
protagonist is being captured by goons we see footage of a lion going for his
kill. Real subtle.
The
lack of subtlety isn’t as much a problem as the lack of an original or smart
story. In Lucy the central character (played by Scarlett Johanson) gets
injected with a drug that makes her smarter. And by smarter I mean literally,
more cerebral. We’re told that a human being only uses about 7% of his brain in
his lifetime, and the drug activates Lucy’s dormant parts of the brain. As the
drug’s potency increases we’re given battery percentage of her brain and she
does more and more amazing superhuman things. That would have been a fine plot
device had Lucy not manipulated things out of thin air. There was no need to
justify increased brain activity to perform metaphysical stunts – Besson could
have just made her a superhero due to some otherworldly drug. Maybe he needed
to use more than 7% of his brain to make something worthwhile.
The
acting is all round awful, with Morgan Freeman doing his best Morgan Freeman
impression – that of a scholarly old timer who shows up to give the troubled
protagonist a life changing cathartic advice. Johanson is as usual fine to look
at for sure, but her shift from a ‘normal’ girl to a superhuman isn’t very new.
She basically becomes Black Widow from The Avengers. If you’re looking for a
good Scarlett Johanson movie, you’re better off watching Under the Skin
instead.
(First published in MiD Day)
No comments:
Post a Comment