You sit at your desk, fire up
your laptop, open a word document and crack your knuckles, ready to compose an
art form that will get you loads of attention and admiration. You glance at the
keyboard, intent to smash the keys to bits to squeeze out a masterpiece. You
end up staring at a blank document for an hour. Your creativity has eluded you.
You call it writers block. Whether you’re a writer or an artist or a software
coder or a banker or a scientist, your talent evades you at some point of your
life. It could be because of social circumstances. Or as the film Ruby Sparks expounds, it could be
because you paid more attention to the keyboard and fell in love with the idea
of the ideal woman rather than the woman herself.
Admit it. Don’t lie. Either you’ve
done it in the past or you’re doing it right now. Rather than being in love
with a girl for the way she is, you spend all your energy trying to make her
the way you want her to be, and then emotionally manipulate her to feel bad
about not being good enough. The dark comedy-fantasy-drama Ruby Sparks, a quaint little masterpiece, chronicles the
unfortunate proclivity of men to influence situations so that they can have
things their way. The brilliance of the film lies in the fact that it addresses
this issue not in a heavy duty depressing manner, but in a quirky and often
laugh out loud hilarious way.
Ruby Sparks stars Paul Dano as Calvin, a very young and famous
writer who had written a best seller during high school, but has since been
struggling to come up with a definitive piece of literature. Calvin is stuck in
his past, unable to get over his premature celebrity, unable to reconcile with
his ex, unable to come up with fresh ideas and stories. In fact he is so horribly
jammed in the past that he still uses a typewriter to work, despite living in a
very plush modern house. Calvin’s moment of clarity finally arrives when he
dreams of a manic pixie dream girl named Ruby and proceeds to scribble a story
about her. Things become complicated when Ruby somehow comes to life, and
Calvin realizes that he can alter her behavior through his writing.
The film becomes an unpredictable
and fascinating watch as Calvin fiddles with the moral choice of manipulating Ruby.
The constantly surprising and entertaining turns are courtesy of Zoe Kazan who
not only wrote the film but also stars as the titular character. Her script is
clever enough to avoid the pitfalls of feminist rants and instead establishes
how postmodern culture frequently falls back on the Bechdel test. Whether it’s rom
com or drama or magic realism, it’s so darn charming that it just works on
every level. Kazan happens to be the legendary Elia Kazan’s granddaughter and
also Dano’s off screen girlfriend which probably makes their back and forth in
the film feel so real. It also makes you wonder how much of her script was based
on their own relationship.
Dano is known for his roles in There will be blood and Little Miss Sunshine but this is clearly
his best work. His unbroken shifts from bewilderment to anger to helplessness
to pure awe are incredible. He’s excellent in the scene where he realizes that it
is ethically wrong to make Ruby do what he wants but then proceeds to pull the
strings anyway. In another scene he holds Ruby’s ragdoll like face, looking at
her as if she were his malfunctioning science experiment, yet realizing that he
is incapable of treating his significant other with the freedom and the respect
that she deserves. He is absolutely brilliant because he manages to garner
sympathy despite the character he plays. The man is not only the most
underrated actor in the industry and it is especially sad considering the
massive online fan following of Joseph Gordon Levitt. Dano’s significant dramatic
chops are all too obvious but he has a vulnerable style of comic timing that is
very rare in contemporary Hollywood.
It becomes clear how dark comedy
and drama were so beautifully augmented in Ruby
Sparks when you get to know that Jonathan Dayton and Valerie Faris directed
the film. The duo last made the terrific Little
Miss Sunshine and waited six years to find the right script. Dayton and
Faris are legends themselves, they’re the reason why we get nostalgic about our
childhood - they directed some of the best music videos of REM, Red Hot Chili
Peppers and Oasis. These guys are responsible for making the 90’s the most
memorable part of my life and it’s thanks to them I’ve spent most of my adult life
listening to Smashing Pumpkins’ 1979. In Ruby
Sparks they demonstrate their aptitude for subverting comedy
with drama when Calvin in a fit of rage fires out lines on his typewriter to torture
and spite Ruby.
Fantasy and reality meld together
seamlessly and Dayton and Faris often make you take the magic realism at face
value instead of Ruby metaphorically being a therapeutic exercise of a writer trying
to break through his block. With a theme like this it is easy for a filmmaker to
stumble into the mawkish levels of melodrama, but the staging here is pitch
perfect, and moving rather than deafening. A confrontation that Calvin has with
his ex is quietly powerful and Dano brings the house down in a scene where his
God complex takes over him.
The film does a great job of sketching
the egotistic self-aggrandizing baggage that generally comes with intellectual superiority
and even the inherent insecurity of men in relationships. Calvin is a
gifted individual, but like many of us, can’t digest his significant other being
more successful than him. How would he, a man, establish his superiority if his
girl commands equal power and fame? Like many of us, he is afraid of being
abandoned by the girl he loves, and like many of us, he’d rather manipulate the
girl and push her away first. Like many of us, instead of looking for solutions
to problems in a relationship, he’d rather hurt the girl and dwell in his
egotistical plane of existence. And like many of us, he gets what he deserves
and spends an eternity regretting his mistake. The genius of the film, however,
lies in its climax, because the final scene delivers a meta message – it transpires
the way you want it to be.
(First published in DNA)
No comments:
Post a Comment