I get that humor is relative. For
some it may mean the dark feisty stings of British satire. For others it means
the unbridled entertainment of watching a spider sting a kid in the ball sack,
or the unrelenting pleasure of watching said kid kissing women pretending to be
his sister and mother. I won’t judge you if you have an appetite for the latter,
it’s just that We’re the Millers isn’t
nasty entertainment, it’s only nasty.
Director Rawson Thurber made the
passably funny Dodgeball: A True Underdog
Story ten years ago, so it’s a little surprising that he doesn’t understand
what risqué comedy actually is. He simply throws in one offensive gag after
another and forgets to make the gags funny. The whole film is an assembly line
of grotesque things that the director picks up and shows you and asks if you
were offended. This is not comedy, this is lazy filmmaking. Sure, there are
some people in the world who laugh just because someone mentions the human
body’s nether regions but there are significantly more people who prefer a well
written quality comedy over tedious skits. It’s not that you can’t make a
comedy by only relying on shock value – Dumb
and Dumber and Ace Ventura are just
offensive sight gags but somewhere between the smut is also a heart, apart from
Jim Carrey’s gynormous funny bone.
Which brings me to another major reason
why the jokes fail - the bland cast. Dodgeball
had the consistently funny Ben stiller and Vince Vaughn before he turned into
someone who looks like a coke dealer hanging outside schools. We’re the Millers has Jason Sudeikis who
is at best a harmless side kick in Saturday Night Live but is as funny and
likable as a tumor in a lead role. When he’s not flexing his unfunny muscles on
screen, the film relies on its lone joke of Jennifer Aniston being a stripper
and pretending to be his wife. It’s not that Aniston is a bore, it’s that she
is a sad pathetic mess. The poor thing is clad in stripper clothes but is not
only an unconvincing stripper, but is also a really tedious comedienne. Rachel
Greene was a one trick pony and this film is even cruel enough to mock this
very fact during the end credits.
What really infuriates is the
wastage of the gigantic talent of Nick Offerman, who exists in this film only to
finger bang the ear of Sudeikis’ character. Ron Swanson is capable of
dismantling the innards of your stomach with his hilarious lines, but it looks
like he needs to get a new agent.
(First published in MiD Day)
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